Friday, December 01, 2023

If the Soviet penetration of Washington, D.C., was so wide and so deep that it functioned like an occupation …
 
If, as a result of that occupation, American statecraft became an extension of Soviet strategy …
 
If the people who caught on – investigators, politicians, defectors – and tried to warn the American public were demonized, ridiculed and destroyed for the good of that occupation and to further that strategy …
 
And if the truth was suppressed by an increasingly complicit Uncle Sam …

Would you feel betrayed?

Now available from St. Martin's Press, American Betrayal: The Secret Assault on Our Nation’s Character

View Blog
Minimize
Apr 17

Written by: Diana West
Thursday, April 17, 2008 4:58 AM 

Drudge certainly found the story that perfectly manifests just about every symptom of decadent amorality exhibited by 21st century elites. It comes from the Yale Daily News (where long ago my first published work appeared) in a report headined: "For senior, abortion a medium for art, political discourse."

It describes the senior "art" project of one Aliza Shvarts as "a documentation of a nine-month process during which she artificially inseminated herself as often as possible while periodically taking abortifacient drugs to induce miscarriages. Her exhibition will feature video recordings of these forced miscarriages as well as preserved collections of the blood from the process."

From the YDN story:

Art major Juan Castillo '08 said that although he was intrigued by the creativity and beauty of her senior project, not everyone was as thrilled as he was by the concept and the means by which she attained the result.

"I really loved the idea of this project, but a lot other people didn't," Castillo said. "I think that most people were very resistant to thinking about what the project was really about. [The senior-art-project forum] stopped being a conversation on the work itself."

Although Shvarts said she does not remember the class being quite as hostile as Castillo described, she said she believes it is the nature of her piece to "provoke inquiry."

"I believe strongly that art should be a medium for politics and ideologies, not just a commodity," Shvarts said. "I think that I'm creating a project that lives up to the standard of what art is supposed to be."

The display of Schvarts' project will feature a large cube suspended from the ceiling of a room in the gallery of Green Hall. Schvarts will wrap hundreds of feet of plastic sheeting around this cube; lined between layers of the sheeting will be the blood from Schvarts self-induced miscarriages mixed with Vaseline in order to prevent the blood from drying and to extend the blood throughout the plastic sheeting.

Schvarts will then project recorded videos onto the four sides of the cube. These videos, captured on a VHS camcorder, will show her experiencing miscarriages in her bathrooom tub, she said. Similar videos will be projected onto the walls of the room.

School of Art lecturer Pia Lindman, Schvarts senior-project advisor, could not be reached for comment Wednesday night.

Aha. Pia Lindman, the putative grown-up here, the advisor, the oversight, the arbiter, could not be reached for comment Wednesday night. Could she ever be reached for comment? Is she even capable of comment?Pia LIndman apparently oversaw this egregiously sick process passing for "art," passing for college work, for nine months and saw nothing objectionable in it, nothing beyond the pale. There is the problem. No guidelines. No code. No grown-ups. 

 

 

Tags:

AVAILABLE AT AMAZON

ALSO AT AUDIBLE 

"A sterling example of penetrating counterintelligence analysis, the kind one seldom sees issuing from intelligence circles, let alone from a private researcher. Diana’s previous books mark her as one who goes far beyond the usual academic policy analysis, to penetrate to the heart of hidden history that seldom makes it to the light of day. Reading The Red Thread prompted me to recall Honoré de Balzac’s observation that there are two histories: the official one, mendacious; and the secret history, shameless, but the real cause of events. Diana West plumbs the depths of Balzac’s secret history in a way that surfaces the realities of an ideological underworld that too many deny and would rather not see exposed. Diana West is a one-person intelligence agency."

— John J. Dziak, Ph.D., former senior intelligence executive, author of Chekisty: A History of the KGB, Adjunct Professor at the Institute of World Politics, Washington, D.C.

"Once again, Diana West provides us with invaluable analysis, meticulously documented. She exposes the radical Leftist ideological roots of the Trump "lawfare” coup plotters masquerading as “respectable” Establishment law enforcement and intelligence professionals. Ms. West delivers facts, history,  documentation and context like no other. Her work in essential reading."

— Chris Farrell, Director of Investigations & Research for Judicial Watch. He is a former Military Intelligence officer and Special Agent of U.S. Army Counterintelligence. 

"An extraordinary contribution to understanding the struggle of our times. Diana West has once again done exhaustive research and unearthed a series of facts and connections which will change how you see the American left decisively. This is courageous groundbreaking work with enormous implications for understanding the depth and intensity of hostility to freedom embedded in the American left and its connections to international threats to our survival."

-- Newt Gingrich, former Speaker of the House, Fox News contributor, and author of numerous bestselling books.

"This fascinating new book by Diana West, a leading expert on the history of American communism, offers intriguing insights into the anti-Trump conspiracy. Ms. West teases out highly interesting, and disturbing, facts about many of the anti-Trump conspiracy players. But more importantly, she lays out a larger framework in which to view the philosophical drivers of many of the conspirators, who fall into the Marxist/globalist/collectivist political camp. This is in direct opposition to the capitalist/nationalist/individualistic political camp led by Donald Trump. Trump was anathema to these individuals because he represented an existential threat to the globalist enterprise, which has been so long in the making." 

-- William Marshall, Senior Investigator, Judicial Watch, and an intelligence analyst and investigator in the government, private, and non-profit sectors for more than 30 years.

"Once again, Diana West, as she did in American Betrayal, has scored a home run for truth. Diana's research and analysis are superb. The Red Thread provides an excellent opportunity for Americans to learn the identity of those whose agenda is not in keeping with America's patriotic ideals, and who would undermine its very existence. The Red Thread should be required reading for true patriots who serve in America's government, not to mention those who attend the nation's military academies and war college. Diana West is to be saluted for her patriotism, dedication and her passion for truth."

-- John Molloy, OSJ, Chairman, National Vietnam & Gulf War Veterans Coalition

"Diana West exposes a red thread running through the campaign to unseat President Trump. It is the story of a socialist cabal painting itself in false patriotic colors, camouflaged behind a facade of national concern. West shows that the conspirators’ true ideals are opposed to nation and Constitution. Yet it is more than a conspiracy she reveals. It is the latest iteration of the same old phenomenon of subversion, driven forward by what Whttaker Chambers called “man’s second oldest faith.”

— Jeff Nyquist, author of Origins of the Fourth World War

"Diana West's analysis of the ideological backgrounds of the DOJ and IC coup plotters against President Trump is powerful, even incontrovertible, evidence of their guilt.  Anyone who reads the Mueller Report or listens to MSNBC, etc. should also read The Red Thread as an antidote!"

-- Dr. Peter Pry, executive director of the Task Force on National and Homeland Security. He served on the Congressional EMP Commission as chief of staff, the Congressional Strategic Posture Commission, the House Armed Services Committee, and the CIA. He is author of Blackout Wars.

"Diana West does remarkable work and must not be ignored. Her work is research driven not opinion driven---a rarity in today's world.  It is essential reading."

-- Peter Schweizer, author of Secret Empires and Clinton Cash


BUY THE BOOK AT AMAZON


Privacy Statement  |  Terms Of Use
Copyright 2012 by Diana West