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"It is not simply a good book about history. It is one of those books which makes history. ... "
-- Vladimir Bukovsky, co-founder of the Soviet dissident movement and author of Judgment in Moscow, and Pavel Stroilov, author of Behind the Desert Storm.
"Diana West is distinguished from almost all political commentators because she seeks less to defend ideas and proposals than to investigate and understand what happens and what has happened. This gives her modest and unpretentious books and articles the status of true scientific inquiry, shifting the debate from the field of liking and disliking to being and non-being."
-- Olavo de Carvalho
If you're looking for something to read, this is the most dazzling, mind-warping book I have read in a long time. It has been criticized by the folks at Front Page, but they don't quite get what Ms. West has set out to do and accomplished. I have a whole library of books on communism, but -- "Witness" excepted -- this may be the best.
-- Jack Cashill, author of Deconstructing Obama: The Lives, Loves and Letters of America's First Postmodern President and First Strike: TWA Flight 800 and the Attack on America
"Every once in a while, something happens that turns a whole structure of preconceived ideas upside down, shattering tales and narratives long taken for granted, destroying prejudice, clearing space for new understanding to grow. Diana West's latest book, American Betrayal, is such an event."
-- Henrik Raeder Clausen, Europe News
West's lesson to Americans: Reality can't be redacted, buried, fabricated, falsified, or omitted. Her book is eloquent proof of it.
-- Edward Cline, Family Security Matters
"I have read it, and agree wholeheartedly."
-- Angelo Codevilla, Professor Emeritus of International Relations at Boston Unversity, and fellow of the Claremont Institute.
Enlightening. I give American Betrayal five stars only because it is not possible to give it six.
-- John Dietrich, formerly of the Defense Intelligence Agency and author of The Morgenthau Plan: Soviet Influence on American Postwar Policy.
After reading American Betrayal and much of the vituperation generated by neoconservative "consensus" historians, I conclude that we cannot ignore what West has demonstrated through evidence and cogent argument.
-- John Dale Dunn, M.D., J.D., Journal of American Physicians and Surgeons
"A brilliantly researched and argued book."
-- Edward Jay Epstein, author of Deception: The Invisible War between the KGB and the CIA, The Annals 0f Unsolved Crime
"This explosive book is a long-needed answer to court histories that continue to obscure key facts about our backstage war with Moscow. Must-reading for serious students of security issues and Cold War deceptions, both foreign and domestic."
-- M. Stanton Evans, author of Stalin's Secret Agents and Blacklisted by History: The Untold Story of Senator Joe McCarthy and His Fight Against America's Enemies
Her task is ambitious; her sweep of crucial but too-little-known facts of history is impressive; and her arguments are eloquent and witty. ... American Betrayal is one of those books that will change the way many of us see the world.
-- Susan Freis Falknor, Blue Ridge Forum
"American Betrayal is absolutely required reading. Essential. You're sleepwalking without it."
-- Chris Farrell, director of investigations research, Judicial Watch
"Diana West wrote a brilliant book called American Betrayal, which I recommend to everybody ... It is a seminal work that will grow in importance."
-- Newt Gingrich, former House Speaker
"This is a must read for any serious student of history and anyone working to understand the Marxist counter-state in America."
-- John Guandolo, president, Understanding the Threat, former FBI special agent
It is myth, or a series of myths, concerning WW2 that Diana West is aiming to replace with history in 2013’s American Betrayal.
If West’s startling revisionism is anywhere near the historical truth, the book is what Nietzsche wished his writings to be, dynamite.
-- Mark Gullick, British Intelligence
“What Diana West has done is to dynamite her way through several miles of bedrock. On the other side of the tunnel there is a vista of a new past. Of course folks are baffled. Few people have the capacity to take this in. Her book is among the most well documented I have ever read. It is written in an unusual style viewed from the perspective of the historian—but it probably couldn’t have been done any other way.”
-- Lars Hedegaard, historian, journalist, founder, Danish Free Press Society
The polemics against your Betrayal have a familiar smell: The masters of the guild get angry when someone less worthy than they are ventures into the orchard in which only they are privileged to harvest. The harvest the outsider brought in, they ritually burn.
-- Hans Jansen, former professor of Islamic Thought, University of Utrecht
No book has ever frightened me as much as American Betrayal. ... [West] patiently builds a story outlining a network of subversion so bizarrely immense that to write it down will seem too fantastic to anyone without the book’s detailed breadth and depth. It all adds up to a story so disturbing that it has changed my attitude to almost everything I think about how the world actually is. ... By the time you put the book down, you have a very different view of America’s war aims and strategies. The core question is, did the USA follow a strategy that served its own best interests, or Stalin’s? And it’s not that it was Stalin’s that is so compelling, since you knew that had to be the answer, but the evidence in detail that West provides that makes this a book you cannot ignore.
-- Steven Kates, RMIT (Australia) Associate Professor of Economics, Quadrant
"Diana West's new book rewrites WWII and Cold War history not by disclosing secrets, but by illuminating facts that have been hidden in plain sight for decades. Furthermore, she integrates intelligence and political history in ways never done before."
-- Jeffrey Norwitz, former professor of counterterrorism, Naval War College
[American Betrayal is] the most important anti-Communist book of our time ... a book that can open people's eyes to the historical roots of our present malaise ... full of insights, factual corroboration, and psychological nuance.
-- J.R. Nyquist, author, Origins of the Fourth World War
Although I know [Christopher] Andrew well, and have met [Oleg] Gordievsky twice, I now doubt their characterization of Hopkins -- also embraced by Radosh and the scholarly community. I now support West's conclusions after rereading KGB: The Inside Story account 23 years later [relevant passages cited in American Betrayal]. It does not ring true that Hopkins was an innocent dupe dedicated solely to defeating the Nazis. Hopkins comes over in history as crafty, secretive and no one's fool, hardly the personality traits of a naïve fellow traveler. And his fingerprints are on the large majority of pro-Soviet policies implemented by the Roosevelt administration. West deserves respect for cutting through the dross that obscures the evidence about Hopkins, and for screaming from the rooftops that the U.S. was the victim of a successful Soviet intelligence operation.
-- Bernie Reeves, founder of The Raleigh Spy Conference, American Thinker
Diana West’s American Betrayal — a remarkable, novel-like work of sorely needed historical re-analysis — is punctuated by the Cassandra-like quality of “multi-temporal” awareness. ... But West, although passionate and direct, is able to convey her profoundly disturbing, multi-temporal narrative with cool brilliance, conjoining meticulous research, innovative assessment, evocative prose, and wit.
-- Andrew G. Bostom, PJ Media
Do not be dissuaded by the controversy that has erupted around this book which, if you insist on complete accuracy, would be characterized as a disinformation campaign.
-- Jed Babbin, The American Spectator
In American Betrayal, Ms. West's well-established reputation for attacking "sacred cows" remains intact. The resulting beneficiaries are the readers, especially those who can deal with the truth.
-- Wes Vernon, Renew America
Friday, June 29, 2012 5:21 AM
This week's syndicated column:
With so many assaults on the boundaries of governance and sovereignty in the news lately, reflecting on the career of writer and Hollywood director Nora Ephron, who died this week at 71, may seem off-topic. But upon reading through many glowing Ephron appreciations, I realize that in her work lies another broken boundary. It is a cultural one, and every bit as significant as lines on the map or in the Constitution.
In a scene from her most famous movie, “When Harry Met Sally” (1989), Ephron brought to mainstream, predominantly female audiences the spectacle of a professional actress (Meg Ryan), not a porn prop, performing an extended impression of an orgasm in a crowded delicatessen. It was supposed to be the ultimate put-down of her crass male companion (Billy Crystal). Was this merely a smart update of the onscreen battle of the sexes once famously waged by Katharine Hepburn and Spencer Tracy? Or had we become party to something darker? Either way, America laughed, and Ephron is today eulogized for this unforgettable display.
It was a first, all right, but maybe not so funny, since it was also a milestone in the pornification of the American middle class. This has been a long process in which increasingly voyeuristic audiences watch as increasingly untrammeled moviemakers rob human sexuality of intimacy and consequence. “When Harry Met Sally” took us over the top, cauterizing audiences to a new convention of shamelessness – the ideal of Betty Friedan feminism.
And then what happened? Ever since, as a Salon.com critic approvingly wrote, “rom-coms have gotten increasingly raunchy and foulmouthed, often desperately so. But whatever supposed new twists writers dream up – make the lovers casual-sex partners or bisexual polyamorists or ex-lovers of each other’s parents – they’re just spraying Cool Whip on a cake that Ephron baked.”
This must make Ephron the mother of the transgressive “gross-out” comedy, even if she is more politely celebrated as the queen of romantic comedy. To be sure, two subsequent Ephron “rom-coms,” “Sleepless in Seattle” (1993) and “You’ve Got Mail” (1998), were more conventional entertainments. But the lines had blurred.
Such was the crowning achievement of a wonderfully successful career cocooned amid the entertainment Left. There was the short marriage to Watergate-famous Carl Bernstein and the early movie “Silkwood” (1983), directed by Mike Nichols and starring Meryl Streep battling an Evil Corporation. Ephron’s divorce from Bernstein was novelized in the best-selling “Heartburn” (1983), which in 1986 became another Streep and Nichols collaboration that also starred Jack Nicholson. Even after Ephron’s segue into comedy, the odd political barb poked through. In “Julie & Julia” (2009), Ephron’s final movie with Streep as Julia Child, Julia’s discordant character of a father is a rich, Republican McCarthyite. The character of Julie, meanwhile, is admonished by her Democrat boss that a Republican would have fired her.
Such is the lingo of the entertainment Left, for whom invoking McCarthyism, mean-spirited- Republicans and other stock villains is like breathing. “I forget how white they are, and mean-spirited, and thin-lipped,” Ephron wrote of Republicans in 2008 at Huffington Post. In a 2010 list of things she would not miss (dry skin, bad dinners), Ephron included: “polls showing that 32 percent of Americans believe in creationism” and Clarence Thomas.
Clarence Thomas? In 1996, Ephron warned Wellesley graduates: “Understand: Every attack on Hillary Clinton for not knowing her place is an attack on you. Underneath almost all those attacks are the words: Get back, get back to where you (women) once belonged. … Any move to limit abortion rights is an attack on you – whether or not you believe in abortion. The fact that Clarence Thomas is sitting on the Supreme Court today is an attack on you.” The world that crowned Ephron with laurels was a dark, dark place – if only these college-educated young women could see it: “What I’m saying is, don’t delude yourself that the powerful cultural values that wrecked the lives of so many of my classmates have vanished from the earth. Don’t let the New York Times article about the brilliant success of Wellesley graduates in the business world fool you – there’s still a glass ceiling. Don’t let the number of women in the workforce trick you – there are still lots of magazines devoted almost exclusively to making perfect casseroles.”
Aha! In Ephron World, there was no place for the nonfeminist female. Rom-coms were fine, so long as the female lead was sufficiently “liberated” from Republicans, Clarence Thomas and abortion hang-ups. In fact, maybe such re-education was what was really behind Meg Ryan’s big moment in the deli, in front of all those people.
And America laughed.
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